THE DI VINCI CODE
ANGELS AND DEMONS
THE 48 LAWS OF POWER
RULE BY SECRECY
THE ART OF WAR
DECEPTION POINT
DIGITAL FORTRESS
LEFT BEHIND (the series)
THE LOST SYMBOL
....to be continued....
Wednesday, November 3, 2010
"Aphrodite's Amulets" by JupiterCharisma...A MUST HAVE FOR ANY TRUE FASHIONISTA!
"Aphrodite's Amulets" by JupiterCharisma
Award-winning artist/designer/vocalist, IMANI , Founder of HEAVEN AND
EARTH 360, C.E.O. of JupiterCharisma, has created a line of ONE-OF-A-KIND,
HANDCRAFTED, ADORNMENTS made from the FINEST, IMPORTED materials; EACH
PIECE IS DESIGNED FOR THE GODDESS IN YOU.
EACH SET (amulet & earrings) RETAILS FOR $49.99 AND FOR A LIMITED TIME FREE SHIPPING IS AVAILABLE. For all orders or inquiries PLEASE CONTACT POKAFASE @ isawitonyourblog@gmail.com
AMULET #0001: BLOOD MOON
AVAILABLE
AMULET #0002: GEISHA'S FAN
AVAILABLE
AMULET #0003: AURORA'S DANCE
AVAILABLE
AMULET #0004: HOLLOW HEART
AVAILABLE
AMULET #0005: PENDULUM
AVAILABLE
EACH SET (amulet & earrings) RETAILS FOR $49.99 AND FOR A LIMITED TIME FREE SHIPPING IS AVAILABLE. For all orders or inquiries PLEASE CONTACT POKAFASE @ isawitonyourblog@gmail.com
AMULET #0006: ANGEL ORB
AVAILABLE
AMULET #0007: WARRIOR'S TOOTH
AVAILABLE
AMULET #0008: AMBER MEDAL
SOLD
AMULET #0009: HYPNOTIQ
AVAILABLE
AMULET #0010: MOONLIT SILVER
AVAILABLE
AMULET #0011: AT PEACE
AVAILABLE
AMULET #0012: MIDNIGHT SUN
AVAILABLE
Monday, November 1, 2010
GRACIAS, HAPPY LATE HALLOWEEN, AND HAPPY BIRTHDAY!
First off I'd like to thank....GOD....the academy....and the loyal ones of you that came out to the weekends events. MR. BROWN had a crakin'-ass birthday/costume party at the all-new TRINITY Scottsdale on Saturday night, Oct. 30th. I see why they call it "DEVIL'S NIGHT", and OUT OF CONTROL is all I have to say! The club was packed and the beatiful people came out! The P.H. Project performed their hit single "I GO" and had the dance floor rockin'! A good night it was, indeed.
Shouts to my she-devil that night! Sexiest thing in the ROOM!
Ummmmmm....back to the P.H. Project, make sure you keep a look out for the music. POKAFASE and Hannibal LEQ together on some ISh! Empireforever.
Speaking of....
Muchas gracias to everyone that came out TO cRABBY dON'S on HALLOWEEN night! We had too much fun as usual. The show went off without a hitch! SHOUTS TO KNOX MILLIONS, J-PEAZE, MIC WYLD, MEGA, AND EMPIRE for making it a hell of a night.
Oh, and the fish and chips at Crabby Don's...definitely noteworthy, especially after kush.
Eyes and ears to the street (or information highway I suppose) ladies and gents for the next Crabby Don's date in November.
As for the drunk bastard who presumed to insult by insinuating I was "pretending" to do ANYTHING....
"I'LL SHOW YOU HOW TO DO THIS SHIT" -50cent
HAPPY BIRTHDAY BFF DESIREE CHANTE BACON (IT'S FRENCH!....inside joke)
DEUCES! like Chris' new single or Rhianna's black eyes....(poor taste, I know)
Shouts to my she-devil that night! Sexiest thing in the ROOM!
Ummmmmm....back to the P.H. Project, make sure you keep a look out for the music. POKAFASE and Hannibal LEQ together on some ISh! Empireforever.
Speaking of....
Muchas gracias to everyone that came out TO cRABBY dON'S on HALLOWEEN night! We had too much fun as usual. The show went off without a hitch! SHOUTS TO KNOX MILLIONS, J-PEAZE, MIC WYLD, MEGA, AND EMPIRE for making it a hell of a night.
Oh, and the fish and chips at Crabby Don's...definitely noteworthy, especially after kush.
Eyes and ears to the street (or information highway I suppose) ladies and gents for the next Crabby Don's date in November.
As for the drunk bastard who presumed to insult by insinuating I was "pretending" to do ANYTHING....
"I'LL SHOW YOU HOW TO DO THIS SHIT" -50cent
HAPPY BIRTHDAY BFF DESIREE CHANTE BACON (IT'S FRENCH!....inside joke)
DEUCES! like Chris' new single or Rhianna's black eyes....(poor taste, I know)
Monday, October 25, 2010
JAY-Z, ANDRE 3000, AND NAS MISS THE LIST?!?
BET's Top 10 Rappers of the 21st Century
Eminem
Lil Wayne
Kanye
50cent
T.I.
Ludacris
Drake
Jeezy
Jadakiss
Rick Ross
The list in question is BET's Top 10 Rappers of the 21st Century, as determined by a panel of ultra-opinionated "authorities" on the topic. The only "authorities" involved should've been called, when they put Jeezy, Rick Ross, and Jadakiss (who might I add came out in the mid-nineties) on any piece of paper remotely associated with this list, minus the afforementioned emcees in the title of this post. ("that's why im at the end of my wits with half the shit that gets in, i've got a list here's the order of my list it begins with...." -eminem)
I've been told that it was just for emcees whose career started in 1999 or later; this does not lend validity to their decision to omit Jay-Z. Any self respecting judge would have to, at some point, pause and ask themselves:
"Self, HOW IN ANYONE'S HELL DO YOU NOT INCLUDE JAY-Z ON EVERY GREATEST OF ALL TIME OR TOP TEN LIST?"
WHO HAS BEEN A MORE INFLUENTIAL FIGURE IN HIP-HOP (SAVE MAYBE EMINEM) FOR THE ENTIRE LAST DECADE?
There are an ignorant few of you who'll blurt out "Lil Wayne", number two on the BET list, immediately when I pose these questions. You can't be serious.... He has had an incredible run, but it has only spanned the last four or five years. He was just a very young puppet back around the turn of the century. "Bling Bling" and that Cash Money shit was cool, but he was nowhere near the star nor influence he is now. Jay-Z was.
A decent argument could be put up for 50cent....Kinda. Though he's not the emcee he once was. Same goes for Em, who topped the BET list, but he lost Proof so I understand his slump.
I dont suppose I oppose to the remainder of the list, Kanye, Ludacris, Drake, T.I., etc...WAIT!
Let me explain myself as to why I name Drake. A few of my purist would cock their head and look at me like I have shit on my face for naming him and NOT Busta Rhymes, or say for instance, Fab; or why not push for Snoop, who is still relevant, if im gonna roll with Drizzy and lobby for Jay?
Well, Drake is one of those "Haley's Comet" artist (few and far between) who come along every few years and "washes the dishes"(reset the game i.e: dominoes). Follow me.
We'll go just as far back as DMX to help you understand. See things roll in a certain patterns. Radio playlists, society's listening preferences, club dj's playlist, the direction of record sales, etc...all follow trends, much like fashion. Before X came, it was "party and bullshit" he undoubtedly hardened shit up, "Where My Dogs At" and his debut on "5,4,3,2,1" shook things up, and had the next wave of "I'm-as-grimey-as-DMX" niggas barking, growling, muggin and giving all kinds of other "mean" gestures. He did what we endearingly refer to as "DMX'ed" the game.
Then along came a young, lazy-flow having pretty boy, who could legitimately spit and was backed by one of the largest label/brands in the industry at the time....MA$E. Mase smashed the charts and the clubs, put on the shiny suit and the platimun smile, and brought "party and bullshit" right back off the shelves. The whole world was "gettin jiggy" and doin' all kinds of other goofy shit all at the same time. Good Times. He effectively "MA$E'ed" the game.
Then came EMINEM. He FUCKED EVERYTHING UP, LOL!
Nobody knew WHAT TO MAKE OF, OR WHAT TO DO WITH THIS RAPPIN'ASS WHITE BOY! (I SAY THAT AFFECTIONATELY.)
I'd say he "M&M'ed" the game (I tickle myself),but lets face it folks....THAT SHIT"LL NEVER HAPPEN AGAIN.
He is truly an anomally.
Then came Kanye, and Wayne, and a few other innovative folks who caused a similar shift in the game....
Which brings me to Drizzy. Drake is a refreshing splash of content in music. Its not that he's the BEST, but certainly one OF, at this juncture. He sings a bit much for me honestly; however, it's creative and has been tuned enough to make it a worthwhile listen as you're patiently waiting for him to get back to some of the wittiest lyricism I've heard in a minute. Drake has keyed in on the defficiency in the game, substance. The same self-degredating style that Eminem used to win favor, has been spun into an even better, more subtle, introspective innocence, per Drake, and almost has a naivety to it. His album would put him on this list alone if that were all one needed to qualify. I don't belive his musical exploits alone are enough to give him this honor, yet; but his early yet potent influence on the industry, attention to detail and obvious internet marketing saavy lend aid in comforting me in my decision to endorse him in this instance.
That's all for now. BET...GET IT TOGETHER! This politically correct, "Def Jam and Interscope pay the bills" approach to labeling the "best of" is laughable at best. The public, or the"herd", is counting on you to be the authority, use the powers instilled in you responsibly. Tagging the list "....of the 21st century" doesn't excuse an obvious attempt to thrust some of the recent bread-winners further into the retail marketability stratusphere.
I suppose we love you either way. (namely because there a no other BLACK networks, save CW, LOL!)
Just keep it "ONE-HUNN-ED" with us!
Saturday, October 23, 2010
Friday, October 22, 2010
WHAT PRESIDENT OBAMA REALLLY WANTS TO SAY TO THE G.O.P.....
I FUCKING LOVE IT!
HE'S NOT EVEN HALFWAY THRU HIS TERM AND THESE IDIOTS ARE TRYING TO OUST HIM FOR NOT REPAIRING THEIR MESSIAH'S (GEORGE W.) ROYAL FUCK UP FAST ENOUGH!
????"DON'T ASK, DON'T TELL."????
DON'T ASK, DON'T TELL....
OKAY....before I begin this rant, let me start by saying I have ZERO ill feelings toward homosexual people. I know some, even lived around the corner from a few! (LOL, that's what they used to say exclusively about us Black folk. Welcome gay people! I'll chop more about this in a post called: "Mexican's the New Black, Islamic's the New Gay" COMING SOON!)
I emphasize this, at risk of it sounding like a homophobic disclaimer, because I stand firm on the "THIS IS AMERICA!" platform.
I DO, however, belive that there is ABSOLUTELY, UNDOUBTABLY NO PLACE FOR GAY IN THE MILITARY! Before you get your fatigues in a bunch, notice I said GAY and not GAY'S.
When you are in the military you are doing a job; arguably the most important job, save the Presidents'. Your job title is SOLDIER, your job description: TAKE ORDERS and EXECUTE THEM to the best of your government sponsored abilities. YOU PROTECT THE COUNTRY. YOU CAN'T FUCK UP. YOU HAVE NO TIME TO BE WORRIED ABOUT SEXUAL PREFERENCE WHETHER YOU'RE ASKING OR TELLING. YOU PROTECT THE COUNTRY!
In the time it took you to bother somone else about whether or not they prefer PENIS or VAGINA, you could've been:
cleaning your weapon
learning a skill
honing the ones you have
writing your family
study to take the officers exam
discussing tactics
reading up on the enemy
learning a foreign language
HELL!, FANTASY FUCKING FOOTBALL if it will make you a better SOLDIER but nothing else. Your goal and focus is to "BE ALL YOU CAN BE" right?!
There's a saying: "small men speak about others, mere men speak about themselves, great men speak about ideas." (Some profound shit, not quite sure who said it.) The point I'm making here, is any discussion is too much; not because it is inappropriate for gay people to openly serve and BLAH, BLAH, blahsay BLAH.... But because ANYTHING THAT DETRACTS FROM THE EVER SO IMPORTANT JOB YOU ARE THERE TO DO IS DETREMENTAL TO ALL OF US. YOU INCLUDED!
If they say, "DON'T ASK, DON'T TELL", then "DON'T ASK, DON'T TELL."
Assume they know how to best carry out their job. You wouldn't tell the doctor how to do his, nor the police how to do theirs. If they say "cough" or "freeze", you do. You don't ask why, or negotiate.
"Hey mechanic! That wrench isn't getting nearly enough use, you need to start using it a little more...."
YOU'D SOUND LIKE AN IDIOT.
SOME shit JUST isn't FAIR!
....and it's not supposed to be! If everything was, it would throw off the balance.
People just need something to bitch about, the lowdown, dirty truth is:
When they yell, "GRENADE!!" I don't give a shit if you like RuPaul, Ron Paul, or PAULINE!
MOVE!, THROW IT BACK!, OR JUMP ON THE MUTHAPHUCKA!
IF HE'S GONNA SHOOT ME, SHOOT HIM! GAY BULLET AND ALL, IT DOESNT MATTER!
....and I guess really that's the bottomline.
it doesn't matter....
....please just continue to keep us safe and free.
THANK YOU SOLDIERS!
....and I'm sorry we even bothered you with this BULLSHIT while you were at work.
Tuesday, October 19, 2010
POKAFASE FAN FLIX
THE POKAFASE FAN FLIX POST
THIS IS YOUR TIME TO SHINE, PEOPLE!
TAKE A PICTURE (camera, camera phone, draw a stick figure, whatever!) OF YOURSELF HOLDING ANYTHING THAT SAYS POKAFASE, ANYTHING!
...(a shirt, hat, CD cover, old flyer, poster, sticker, EVEN a piece of paper with my name on it!)
JUST SPELL IT RIGHT P-O-K-A-F-A-S-ESEND YOUR PICS TO: pokafasefanflix@gmail.com, include your name and the city you
TAKE A PICTURE (camera, camera phone, draw a stick figure, whatever!) OF YOURSELF HOLDING ANYTHING THAT SAYS POKAFASE, ANYTHING!
...(a shirt, hat, CD cover, old flyer, poster, sticker, EVEN a piece of paper with my name on it!)
JUST SPELL IT RIGHT P-O-K-A-F-A-S-ESEND YOUR PICS TO: pokafasefanflix@gmail.com, include your name and the city you
REPRESENT!
....and join the ranks of loyal fans such as those BELOW!
YAWLWAY ALLAHALLA, NORTH CAROLINA - 1ST ON THE FAN FLIX PAGE!
KATT. ANCHORAGE, AK/PHOENIX, AZ. - MY BIGGEST FAN!
ONLY POSTING ONE MIDDLE FINGER AND MARK DICK-ARLO REPPING CHICAGO, IL BEAT THE REST OF YOU SMART-ASSES TO IT. LOL!
UNDOUBTEDLY AN EX-GIRLFRIEND....OR MY ODD FRIEND A. ABINGTON. TUCSON, AZ.
EMCEE 101 - LESSON 2: THIS IS NOT POP-WARNER!
Okay....for those of you just tuning in, reading out of order, or blowing bubba...this is EMCEE 101.
It is a collection of lessons that, if heeded, will make you the emcee you think you are, LOL! Being an emcee means a carefully monitored balance of humililty and arrogance, however we emcees tend to be heavier on the latter. This gives way to a vicious cycle of poor habits supporting a know-it-all mentality, coupled with the fact that emcees are constantly preaching to a choir of yes-men who think they're helping by giving the nod to everything you do (see Lesson 8: EVERYTHING YOU DO ISNT DOPE?)....and they ARE NOT!
In fact, unbiased opinion, useful advice, and selfless guidance are three things the average emcee WILL NOT receive with any frequecy, if at all; as a matter of fact you may see mechanical royalties first, LMAO! (mechanical royalties are profits derived from the sale of tangible units, paid out AFTER you recoup the costs associated with your project....yeah, GOOD LUCK WITH THAT)
Sooooooooooo....this is basically my attempt to offer the selfless guidance and useful advice that will HELP YOU, whether my tone and sarcasm convey that or not.
If I offend you, I meant to. Hopefully, you will channel that in to some positive changes. ("Thank me later" -Drake)
LESSON 2: THIS IS NOT POP-WARNER!
Pop-Warner football, for those who dont know, is like little league football. EVERYBODY GETS TO PLAY! Regardless of skill, stature, or competency each child is thrown into a game that lightly resembles a simulated, tactical, full-contact war of some sort....all so Mom can sit flinching nervously as Dad proudly watches little Timmy live out an excruciatingly vivid nightmare!
Little Timmy just isn't built for football....get it?
That's not to say that he isn't "the shit" at something else or maybe a couple of things, but we ALL know, me, Dad, Mom, and even deep down Timmy himself, that it is not rappin' AHEM OOPS I MEAN.... football.
(follow me)
Now some of you may know Joey instead of Timmy. Joey is genuinely a great kid. Problem is Joey sucks balls at football, but nobody told him. Consequently he plays and plays, ruining game after game for his team and because everyone is worried about his fragile little ego.
TELL HIM. TELL HIM NO!
Your friends....NO, your TRUE friends will still be exactly that whether you cater to their egos or not. That's not to say they won't be sore; bruised egos need a second to heal as all bruises do. You have got to make the decisions involving your career with only YOU in mind. (trust me on this one)
That means, when your entourage wants to jump on stage and pose, transforming your opportunity to promote your self and brand in to a clusterfuck of loud, sweaty rappers swirling about the stage....SAY NO!
When your homeboy who is, "...eh....okay" on the mic, comes with a mediocre verse that might not even necessarily bring your song down, but doesn't lift it up....comes to you and lobbys for a position on your joint....SAY NO!
When your girlfriend, who can carry a tune but only with a handle, a dolly, or a crane....wants to come and screech out something awful on your show or in your seesion....SAY NO!
These opprtunities are direct representations of YOU, no one else. Of course they'll be seen for the mediocre talents they are, but more importantly your judgement will come into question, which leads to similar issues with your credibility.
When you refuse them their moment of humiliation you are actually being the true friend. Remember, "a smack is a hug that stings." It's tough love, give with a clear conscious and keep it moving. If you get to far into explaining and shit you can only make matters worse, as there are fewer good points to emphasize than bad. This is why you're saying no in the first place.
In the pro's, NOT EVERYBODY GETS TO PLAY NOR ARE THEY ENTITLED TO A SHOT EVER IF THEY DONT IMPROVE.
Are you a pro?...Then why would you play with amateurs?
If they wanna play, they'll do what it takes to start....or they won't, and they weren't the one for the job anyway.
DEUCES
Almost forgot....
Your required listening is "My Philosophy", BDP- By All Means Necessary. Pay attention to one of my teachers. RESPECT to KRS ONE.
It is a collection of lessons that, if heeded, will make you the emcee you think you are, LOL! Being an emcee means a carefully monitored balance of humililty and arrogance, however we emcees tend to be heavier on the latter. This gives way to a vicious cycle of poor habits supporting a know-it-all mentality, coupled with the fact that emcees are constantly preaching to a choir of yes-men who think they're helping by giving the nod to everything you do (see Lesson 8: EVERYTHING YOU DO ISNT DOPE?)....and they ARE NOT!
In fact, unbiased opinion, useful advice, and selfless guidance are three things the average emcee WILL NOT receive with any frequecy, if at all; as a matter of fact you may see mechanical royalties first, LMAO! (mechanical royalties are profits derived from the sale of tangible units, paid out AFTER you recoup the costs associated with your project....yeah, GOOD LUCK WITH THAT)
Sooooooooooo....this is basically my attempt to offer the selfless guidance and useful advice that will HELP YOU, whether my tone and sarcasm convey that or not.
If I offend you, I meant to. Hopefully, you will channel that in to some positive changes. ("Thank me later" -Drake)
LESSON 2: THIS IS NOT POP-WARNER!
Pop-Warner football, for those who dont know, is like little league football. EVERYBODY GETS TO PLAY! Regardless of skill, stature, or competency each child is thrown into a game that lightly resembles a simulated, tactical, full-contact war of some sort....all so Mom can sit flinching nervously as Dad proudly watches little Timmy live out an excruciatingly vivid nightmare!
Little Timmy just isn't built for football....get it?
That's not to say that he isn't "the shit" at something else or maybe a couple of things, but we ALL know, me, Dad, Mom, and even deep down Timmy himself, that it is not rappin' AHEM OOPS I MEAN.... football.
(follow me)
Now some of you may know Joey instead of Timmy. Joey is genuinely a great kid. Problem is Joey sucks balls at football, but nobody told him. Consequently he plays and plays, ruining game after game for his team and because everyone is worried about his fragile little ego.
TELL HIM. TELL HIM NO!
Your friends....NO, your TRUE friends will still be exactly that whether you cater to their egos or not. That's not to say they won't be sore; bruised egos need a second to heal as all bruises do. You have got to make the decisions involving your career with only YOU in mind. (trust me on this one)
That means, when your entourage wants to jump on stage and pose, transforming your opportunity to promote your self and brand in to a clusterfuck of loud, sweaty rappers swirling about the stage....SAY NO!
When your homeboy who is, "...eh....okay" on the mic, comes with a mediocre verse that might not even necessarily bring your song down, but doesn't lift it up....comes to you and lobbys for a position on your joint....SAY NO!
When your girlfriend, who can carry a tune but only with a handle, a dolly, or a crane....wants to come and screech out something awful on your show or in your seesion....SAY NO!
These opprtunities are direct representations of YOU, no one else. Of course they'll be seen for the mediocre talents they are, but more importantly your judgement will come into question, which leads to similar issues with your credibility.
When you refuse them their moment of humiliation you are actually being the true friend. Remember, "a smack is a hug that stings." It's tough love, give with a clear conscious and keep it moving. If you get to far into explaining and shit you can only make matters worse, as there are fewer good points to emphasize than bad. This is why you're saying no in the first place.
In the pro's, NOT EVERYBODY GETS TO PLAY NOR ARE THEY ENTITLED TO A SHOT EVER IF THEY DONT IMPROVE.
Are you a pro?...Then why would you play with amateurs?
If they wanna play, they'll do what it takes to start....or they won't, and they weren't the one for the job anyway.
DEUCES
Almost forgot....
Your required listening is "My Philosophy", BDP- By All Means Necessary. Pay attention to one of my teachers. RESPECT to KRS ONE.
Friday, October 15, 2010
WELCOME TO EMCEE 101
EMCEE 101 is my gift to you. It's the gift that keeps on giving, EXPERIENCE! Since the art of emcee-ing has been heavily diluted and "rap" is the new medium for mediocrity, mockery, and coonish behavior, I felt it necessary to include this opportunity, for those who would like to set themselves apart from the madness and learn the artform, in my blog. For those of you that may be well versed in the art, consider this a refresher. Some of you have gotten sloppy anyways, I'll probably do you some good.
These lessons are a compilation of things I've either been taught, observed, or bumped my head and learned the hard way. ("....Hov (POKE) did that/ so hopefully you won't have to go through that." -Jay-Z)
They are presented to you in no particular order because they are all important.
Don't start bitchin', it's game for free.
Now....let's begin....
Lesson 1: YOUR MICROPHONE SCREAMS FOR YOU!
We've all been to THAT show. You know the one where "rapper X" is on stage with ALL of his boys, and everyone is not only talking at the same time (see Lesson 2: THIS IS NOT POP-WARNER and Lesson 3: ONLY IF WE'RE SINGING), but talking at the TOP of their lungs.
!NEWSFLASH!
The mic screams for you! Now...we can't hear you at all! You have defeated your purpose, and you look like an amateur ASS! We didn't know your song before you began this tirade, but we were willing to listen. However, after sitting through just one minute of your set, not song, SET! I'm ready to "Vincent Van Gogh"(look it up) myself and switch the remaining ear to adult contemporary; at least their sissy tone is light on the eardrums!
Its not cool, dope or fresh. You're not rapping harder because you're louder. Cmon dawg, you hear it too.
USE YOUR SOUNDCHECK! (See Lesson 7: USE YOUR SOUNDCHECK) Its is a moment, albeit a late one, to tend to the details, adjust the levels and declare your professionalism. Tune your show, or people will stop coming to watch you show your tune.
That's enough for lesson one. Live with it.
In the meantime, today's REQUIRED LISTENING is "Verbal Intercourse" Raekwon ft. Nas and Ghostface off the ONLY BUILT FOR CUBAN LINKS LP
Pay special attention to Nas' fluidity and effortless delivery.
DEUCES
We've all been to THAT show. You know the one where "rapper X" is on stage with ALL of his boys, and everyone is not only talking at the same time (see Lesson 2: THIS IS NOT POP-WARNER and Lesson 3: ONLY IF WE'RE SINGING), but talking at the TOP of their lungs.
!NEWSFLASH!
The mic screams for you! Now...we can't hear you at all! You have defeated your purpose, and you look like an amateur ASS! We didn't know your song before you began this tirade, but we were willing to listen. However, after sitting through just one minute of your set, not song, SET! I'm ready to "Vincent Van Gogh"(look it up) myself and switch the remaining ear to adult contemporary; at least their sissy tone is light on the eardrums!
Its not cool, dope or fresh. You're not rapping harder because you're louder. Cmon dawg, you hear it too.
USE YOUR SOUNDCHECK! (See Lesson 7: USE YOUR SOUNDCHECK) Its is a moment, albeit a late one, to tend to the details, adjust the levels and declare your professionalism. Tune your show, or people will stop coming to watch you show your tune.
That's enough for lesson one. Live with it.
In the meantime, today's REQUIRED LISTENING is "Verbal Intercourse" Raekwon ft. Nas and Ghostface off the ONLY BUILT FOR CUBAN LINKS LP
Pay special attention to Nas' fluidity and effortless delivery.
DEUCES
Thursday, October 14, 2010
"Zaire74": a poem inspired by "The Greatest of All Time" Muhammad Ali
"Zaire74" written by Alafia Long "POKAFASE"
Way down in the jungle deep
A dignified man laid a giant one to sleep
They dubbed him clay but we loved him Muhammad
Or should I say comet those don’t come around often
See Ali’s wit was like using stone to soften
The blows he knows will glance off him
Its been about four years since they tried to cut him down equal
For refusing to go abroad to slaughter brown people
From that moment on he would float like a butterfly
To his own brown people symbolize hope like another guy
You may know....
Clay though....clay though in the ring was like play dough
Prophetic what round MUHAMMAD need I say mo’
When he talked people listened when he smiled so did we
Told Cosell “I made you!” we knew it so did he
Then along came a King some would say of the worst
Offered the pretty people’s champion a belt and a purse
Said he’d hire a foreman and they’d build up a fight
And a platform from which they could show off their might
Long story short story long a fight with no money behind it
quickly became an epic clash of titans the times would define it
So when Ali announced the event made mention of the monster
who'd slayed Frazier and Norton and rounded up right white sponsors
We listened....
as he flamboyantly said a Rumble in the Jungle is the name
and somehow remained as humble as a mumble in the same
a divine fight it was to be black as night lacking
no heart as it's pit up against black with white backing
Muhammad was the heart of black America embedded
in a bull horn....it was broken needed healing he said it
with his eyes his words our spirit unbroken
all those ass-whippins our strength that was better unspoken
either way they listened....
there were two kings that All Hallows Eve “74”
in Zaire the night air being all they might share
and that could be sliced and it was by the cries
Ali BUM – AYE Ali KILL HIM it dies
tonight what he represents the man and his lies
America, its flag, the hatred it denies
Ali BUM – AYE Ali kill him he scoffs
at what this means to us what this moment costs
he listened....
The right hand lead, the turnbuckle waltz
was a start but the giant kept cutting him off
and the world was in awe as the greatest of all time
appeared to have righteously rhymed his last rhyme
then as if he were brick he stood steadfast in stance
and absorbed every blow he would no longer dance
when close he would taunt “is that all you've got”
as if echoing black sentiments to a white-washed prop
he would prove that no matter what Goliath threw he could take it
two nations of blacks on his back couldnt break it
the giant began to weaken beneath the weight of Muhammad
and the millions of hopes that he carried
Ali emerged from his clinches unscathed
and slipped what tired blows he couldnt parry
he'd sting like a bee you could tell by the swelling
any whince im convinced was dronwed out by the yelling
five punches later with Zaire on its feet
and Black America on the edge of its seat
There stood hope with his hands in the air
the world to pass judgment on how the rope a dope fared
Ali BUM AYE Ali did and its done
For on this night he fought but all in all WE WON
He is the Greatest of All Time because he told, then showed us he was. Who are we to refute it.
BIO BLOG 2 - For those who read the Cliff's Notes, I present: LONG STORY SHORT (the basics, a little braggin', a little name-droppin', etc....)
I was half of the ground-breaking group KNOW QWESTION, a member of the TEN COMMANDMENT, the ASSOCIATES,and the LEAGUE, and a current member of the supergroup EMPIRE.
I am the first solo, male, hip-hop artist to sign a major recording contract from Arizona (Artist Direct Records 2001).
I have shared the stage with EVERYONE but Tupac and Jay-Z. (almost, but not quite, LITERALLY)
From 50cent to Lil Wayne to Ludacris, back to Diddy and T.I., on over to Nas, Eminem, Outkast, and even with the Notorious B.I.G. and Naughty By Nature, to name a few.
I transcend genres; just ask Insane Clown Posse, Phunk Junkeez, Kottonmouth Kings, Chronic Future, Incubus, Authority Zero, Fred Green, Collide, and a several other crazy muthaphuckas I've had the pleasure of rockin with.
I've spat and gained the acknowledgement and respect of legends. GANGSTARR, Rakim, Sugar Hill Gang, WuTang, Kurtis Blow, and Kool G Rap, again to name just a few.
I've done music with Next, Royce 5'9", Dawn Richard (Diddy Dirty Money/Danity Kane), Mase, Empire, Chronic Future, Phunk Junkees, Kokane, Bink, Warren G, Proof, Scot Storch, and the list goes on.
I've partied with Papa Roach, EVE, Phunk Junkeez, D12, and Linkin Park and a plethora of some of the most notorious personalities in the game.(And they all GO HARD!)
I've ciphered with Guru, Royce 5'9", Hannibal Leq, Supernatural, Proof, FlossGenius, Immortal Technique, LIFE, Xzibit, Mega Man-dretti, Rass Kass, and all of the rest of your favorite rappers.(yes....him too, whoever it is SMARTASS!)
I also know radio. I worked for KKFR Power 92.3/98.3 for not quite 5yrs as an on-air personality....
....and well....I've done a bunch of other shit that you'll learn about as you follow me on this first-hand, daily account of the "almost famous".
(follow me now)
Long story short story long....I'm the real deal.
WE'll get in to the particulars of my music, and try to answer the proverbial quetsions
early on, so that we can get yall up to speed a.s.a.p.!
You know questions like:
"Why aren't you ON and as big as ANYBODY out there?!"
"What's up with the group?!"
"When's your new shit dropping?!"
and my personal favorite.... "What did say on that one song, you know that one part where you go....?"
That should be plenty of info to, at least, get us aquainted. Anything else you wanna know, I'm sure will come up....JUST READ THE DAMN BLOG! (you probably ask questions during the movie too, don't you?!) LMAO!
"YOU THINK YOU KNOW....BUT YOU HAVE NO IDEA!" -MTV, BEHIND THE MUSIC
(I LOVE that tag line!)
 |
| Romey Rome, M-E-T-H-O-D Man, and.... |
I am the first solo, male, hip-hop artist to sign a major recording contract from Arizona (Artist Direct Records 2001).
I have shared the stage with EVERYONE but Tupac and Jay-Z. (almost, but not quite, LITERALLY)
From 50cent to Lil Wayne to Ludacris, back to Diddy and T.I., on over to Nas, Eminem, Outkast, and even with the Notorious B.I.G. and Naughty By Nature, to name a few.
I transcend genres; just ask Insane Clown Posse, Phunk Junkeez, Kottonmouth Kings, Chronic Future, Incubus, Authority Zero, Fred Green, Collide, and a several other crazy muthaphuckas I've had the pleasure of rockin with.
I've spat and gained the acknowledgement and respect of legends. GANGSTARR, Rakim, Sugar Hill Gang, WuTang, Kurtis Blow, and Kool G Rap, again to name just a few.
I've done music with Next, Royce 5'9", Dawn Richard (Diddy Dirty Money/Danity Kane), Mase, Empire, Chronic Future, Phunk Junkees, Kokane, Bink, Warren G, Proof, Scot Storch, and the list goes on.
I've partied with Papa Roach, EVE, Phunk Junkeez, D12, and Linkin Park and a plethora of some of the most notorious personalities in the game.(And they all GO HARD!)
I've ciphered with Guru, Royce 5'9", Hannibal Leq, Supernatural, Proof, FlossGenius, Immortal Technique, LIFE, Xzibit, Mega Man-dretti, Rass Kass, and all of the rest of your favorite rappers.(yes....him too, whoever it is SMARTASS!)
I also know radio. I worked for KKFR Power 92.3/98.3 for not quite 5yrs as an on-air personality....
....and well....I've done a bunch of other shit that you'll learn about as you follow me on this first-hand, daily account of the "almost famous".
(follow me now)
Long story short story long....I'm the real deal.
WE'll get in to the particulars of my music, and try to answer the proverbial quetsions
early on, so that we can get yall up to speed a.s.a.p.!
You know questions like:
"Why aren't you ON and as big as ANYBODY out there?!"
"What's up with the group?!"
"When's your new shit dropping?!"
and my personal favorite.... "What did say on that one song, you know that one part where you go....?"
That should be plenty of info to, at least, get us aquainted. Anything else you wanna know, I'm sure will come up....JUST READ THE DAMN BLOG! (you probably ask questions during the movie too, don't you?!) LMAO!
"YOU THINK YOU KNOW....BUT YOU HAVE NO IDEA!" -MTV, BEHIND THE MUSIC
(I LOVE that tag line!)
BIO BLOG
Pokafase is an anomaly. The self-styled, yet widely agreed upon, "Mayor of Phoenix" is the perfect combination of polar contradictions; he is marketable quality, handsome intelligence, arrogant humility, all while being manage-ably talented.
Pokafase was born in Louisville, Kentucky as Alafia Long. He moved to Phoenix at the age of 10, and eventually established himself as a staple in the southwest hip hop scene and a pillar in Arizona's urban community. He began his career as a "battle" emcee and gained respect throughout the country by besting some of the illest rappers the streets had to offer. In 1994, Pokafase and his best friend Corban Carson (a.k.a. Mic Wyld) formed the immensely popular duo known as Know Qwestion and quickly became the toast of the town. Many would argue that KQ, as they were often referred to, set the standard by which Arizona hip hop was measured. Aided by TMC Presents, one of the most successful event promotion companies in Arizona history, the duo was able to break records, break down barriers, and break open a brand new, risqué genre in an all too conservative region of the country.
Throughout their documented, six-year reign, Know Qwestion shared the stage with many hip hop legends, Notorious B.I.G., Naughty by Nature, The Roots, KRS ONE, Rakim, Wu Tang, The Fugees, LL Cool J, De La Soul, Sugar Hill Gang, Big Pun, Onyx, Outkast, and Common to name a few. KQ also released the album Eclipse, their most successful effort, which was regarded as a how-to-manual for budding rappers aspiring to prosper in an uncharted, infantile, music scene. Pokafase, as a result, is widely recognized as one of the founding fathers of AZ hip hop, and easily one of the most important and influential people on the southwest music scene.
The turn of the century marked the end of the groups run, and signaled the emergence of a solo superstar poised to march onward toward much bigger and much better things. In June of 2001, after a rough year of restructuring and regrouping, soul-searching and decision-making, and soliciting and shopping; Pokafase was approached by a number of labels impressed by a home-studio demo he'd been circulating. With the assistance of Shawn Forbes (Shade 45) Lenny and Jesse Beer at HITS Magazine, and a young employee of theirs named Jeff Rabhan, Pokafase was subsequently signed to a "fairytale" record deal with upstart company Artist Direct Records. Interscope Records co-founder and heir to the Marshal-Field fortune, Ted Field signed Poke himself and looked at the young emcee as a trophy and valuable asset to the labels roster. While at Artist Direct, Pokafase cultivated relationships with super-producers such as Warren G and Scott Storch; and emcees alike, enlisting veterans like EST (3 Times Dope) and Big Proof (D12/Eminem) to assist him in his major label endeavors. Though surrounded by experience and backed by a billionaire, Poke could not escape the financial debacle that ultimately led to the labels demise.
No relief on the horizon, Pokafase took it upon himself to expound upon the name and reputation he had built on a foundation of longevity and notoriety in the southwest. He continued touring and booking spot dates, independently, with artist such as Phunk Junkies, GZA, and an up-and-coming 50cent. Exposure was a necessity, so he began more traveling and featuring. Making his presence felt from city to city at major events like the Smokeout Festival, Warped Tour, and any number of Las Vegas Magic Convention Parties, was something Pokafase took great pride in. He continued to diligently record and release music for his fan-base all with goal in mind: reach music industry super stardom at any and all cost.
In 2004, Pokafase's perseverance once again paid off in the form of a much-sought-after on-air position with KKFR Power 92.3 FM; the number one /urban/rhythmic station in the state of Arizona, and the number fifteen market in the country. In addition to conducting a successful, statewide, late-night broadcast, for four and a half years Pokafase lent his voice to the trial-blazing, underground, specialty show “Friday Night Flavas.” His presence on the radio helped to shed a much needed light on the local scene, and bolstered the respect and admiration he had already attained in his hometown of Phoenix. Pokafase's new found position opened doors and allowed him to move as freely behind the scenes as he had previously in the foreground. During his tenure at the station, Poke enjoyed continued success as an artist as well. Power 92.3/98.3 played eight Pokafase records while he was employed, and countless others have seen either regular or mix show rotation dating back to the late 90's. , As a result he found himself, time and time again, in the midst of opportunity; touring 10 cities with G-Unit, opening for Diddy during the 2008 Super Bowl festivities, and most recently, performing to a sold out Celebrity Theatre crowd just minutes before T.I. graced the stage All-Star Weekend 2009.
Pokafase is most at home on stage. His energy and live show is comparable to some of hip hop's greatest performers'. With hundreds of shows to his credit, his professionalism is noteworthy and his performance resume is, arguably, extensive enough to stand alone.
The list of artist he has shared the stage with, includes but is by no means limited to:
50 cent Snoop Dogg
T.I. Ludacris
Notorious B.I.G.
Redman and Method Man
Wu Tang
D12
Lil Flip Chamillionaire Raekwon Ghostface
Outkast
Diddy LL Cool J
Young Buck Rich Boy
Game
Nas
Common
Phunk Junkees
Incubus Insane Clown Posse Kottonmouth Kings Chronic Future Immortal Technique Paul Wall
Warren G
Livin Legends
Hieroglyphics
Naughty By Nature
Lil Wayne/ Cash Money
Despite his many accomplishments, his quest for the brass ring continues. Pokafase has amassed an impressive catalog to date, with a veritable who's who of an industry supporting cast. Dawn Richard of Danity Kane, Mase, Mario Winans, Royce 5'9", Carlos Broady, Shawty Redd, Next, Proof(R.I.P.), Scott Storch, EST, and Warren G are just a few of the stars who have lent their talents to Pokafase's efforts.
From the depths of the underground to the major label mountain top, Pokafase has carried Arizona to the forefront of the music industry, slowing only to stake his claim in mainstream radio. His, skill, versatility, and articulation matched only by his passion, ambition and unconditional love for hip hop.
Throughout their documented, six-year reign, Know Qwestion shared the stage with many hip hop legends, Notorious B.I.G., Naughty by Nature, The Roots, KRS ONE, Rakim, Wu Tang, The Fugees, LL Cool J, De La Soul, Sugar Hill Gang, Big Pun, Onyx, Outkast, and Common to name a few. KQ also released the album Eclipse, their most successful effort, which was regarded as a how-to-manual for budding rappers aspiring to prosper in an uncharted, infantile, music scene. Pokafase, as a result, is widely recognized as one of the founding fathers of AZ hip hop, and easily one of the most important and influential people on the southwest music scene.
The turn of the century marked the end of the groups run, and signaled the emergence of a solo superstar poised to march onward toward much bigger and much better things. In June of 2001, after a rough year of restructuring and regrouping, soul-searching and decision-making, and soliciting and shopping; Pokafase was approached by a number of labels impressed by a home-studio demo he'd been circulating. With the assistance of Shawn Forbes (Shade 45) Lenny and Jesse Beer at HITS Magazine, and a young employee of theirs named Jeff Rabhan, Pokafase was subsequently signed to a "fairytale" record deal with upstart company Artist Direct Records. Interscope Records co-founder and heir to the Marshal-Field fortune, Ted Field signed Poke himself and looked at the young emcee as a trophy and valuable asset to the labels roster. While at Artist Direct, Pokafase cultivated relationships with super-producers such as Warren G and Scott Storch; and emcees alike, enlisting veterans like EST (3 Times Dope) and Big Proof (D12/Eminem) to assist him in his major label endeavors. Though surrounded by experience and backed by a billionaire, Poke could not escape the financial debacle that ultimately led to the labels demise.
No relief on the horizon, Pokafase took it upon himself to expound upon the name and reputation he had built on a foundation of longevity and notoriety in the southwest. He continued touring and booking spot dates, independently, with artist such as Phunk Junkies, GZA, and an up-and-coming 50cent. Exposure was a necessity, so he began more traveling and featuring. Making his presence felt from city to city at major events like the Smokeout Festival, Warped Tour, and any number of Las Vegas Magic Convention Parties, was something Pokafase took great pride in. He continued to diligently record and release music for his fan-base all with goal in mind: reach music industry super stardom at any and all cost.
In 2004, Pokafase's perseverance once again paid off in the form of a much-sought-after on-air position with KKFR Power 92.3 FM; the number one /urban/rhythmic station in the state of Arizona, and the number fifteen market in the country. In addition to conducting a successful, statewide, late-night broadcast, for four and a half years Pokafase lent his voice to the trial-blazing, underground, specialty show “Friday Night Flavas.” His presence on the radio helped to shed a much needed light on the local scene, and bolstered the respect and admiration he had already attained in his hometown of Phoenix. Pokafase's new found position opened doors and allowed him to move as freely behind the scenes as he had previously in the foreground. During his tenure at the station, Poke enjoyed continued success as an artist as well. Power 92.3/98.3 played eight Pokafase records while he was employed, and countless others have seen either regular or mix show rotation dating back to the late 90's. , As a result he found himself, time and time again, in the midst of opportunity; touring 10 cities with G-Unit, opening for Diddy during the 2008 Super Bowl festivities, and most recently, performing to a sold out Celebrity Theatre crowd just minutes before T.I. graced the stage All-Star Weekend 2009.
Pokafase is most at home on stage. His energy and live show is comparable to some of hip hop's greatest performers'. With hundreds of shows to his credit, his professionalism is noteworthy and his performance resume is, arguably, extensive enough to stand alone.
The list of artist he has shared the stage with, includes but is by no means limited to:
50 cent Snoop Dogg
T.I. Ludacris
Notorious B.I.G.
Redman and Method Man
Wu Tang
D12
Lil Flip Chamillionaire Raekwon Ghostface
Outkast
Diddy LL Cool J
Young Buck Rich Boy
Game
Nas
Common
Phunk Junkees
Incubus Insane Clown Posse Kottonmouth Kings Chronic Future Immortal Technique Paul Wall
Warren G
Livin Legends
Hieroglyphics
Naughty By Nature
Lil Wayne/ Cash Money
Despite his many accomplishments, his quest for the brass ring continues. Pokafase has amassed an impressive catalog to date, with a veritable who's who of an industry supporting cast. Dawn Richard of Danity Kane, Mase, Mario Winans, Royce 5'9", Carlos Broady, Shawty Redd, Next, Proof(R.I.P.), Scott Storch, EST, and Warren G are just a few of the stars who have lent their talents to Pokafase's efforts.
From the depths of the underground to the major label mountain top, Pokafase has carried Arizona to the forefront of the music industry, slowing only to stake his claim in mainstream radio. His, skill, versatility, and articulation matched only by his passion, ambition and unconditional love for hip hop.
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